Hindi filmy music director Naushad Ali was one of the most talented and creative melodists credited with popularizing folk music, especially from the Hindi-speaking belt of Uttar Pradesh and Bihar. However, his signature compositions were often based on classic Hindustani music.
The best example of Naushad’s compositions in classical and folk music reverberates in the songs of Baiju Bawara. There is rhythm, folk and classical mix in them. Door koi gaye, Tu Ganga ki mouj main, Jhoole mein pawan, Bachpan ki mohabbat, O duniya ke rakhwale, and Mohe bhool gaye sanwariya, are ageless all raga-based symphonic creations by musical maestro Naushad for generations to enjoy.
Naushad’s music has always had subtle sweetness and zest, like enjoying a glass of merlot. Gaye ja geet milan ke, Dharti ko aakash pukaare, Ye zindagi ke mele (Mela); Jhoom jhoom ke nacho aaj, Hum aaj kahin dil kho baithe, Tu kahe agar, Uthaye ja unke sitam, Tod diya dil mera ( Andaaz); Murliwale murli baja, Tu mera chand mein teri chandani (Dillagi); Dhadke mera dil, Chhod babul ka ghar, Kisi ke dil mein rahna tha, Lagan more man ki, Mera jeevan saathi bichhad gaya, Milte hi ankhen dil hua diwana (Babul) are some of his early feats reflecting his impeccable mastery to create a delightfully ecstatic mood.
In the treasure trove of Hindi filmy music, Suhani raat dhal chuki, na jaane tum kab aoge stands out as one of the most adored compositions by Naushad from the film Dulari. Mohammad Rafi, in his immaculate voice and perfect breath control, did a superb job, launching him as the most loved and one of the most sought-after male singers in the industry.
Naushad was an ingenious and versatile composer creating new tunes, as well as rewriting the folk-based ones which were intrinsically popular among amateur and perpetually novices as well.
His celebrated list is adorned with such evergreen numbers: Maan mera ehsan, Dil mein chupake pyar ka, and one of my favourite holi songs Khelo raang hamare sang (Aan), Jaanewaale se mulaaqaat na hone paayi, Insaaf ka mandir hai yeh bhagwan ka ghar hai, Na milta gham to barbadi ke afsane kahan jaate (Amar); Lagan more man ki sajn nahin jane, and my most adorable lullaby Chandan ka palna resham ki dori (Shabaab).
Naushad was one of the most decorated music directors who composed music for about 100 Hindi films. Many of them were silver, golden and diamond jubilee hits simply because of the popularity of the songs in these movies. Na toofan se khelo, Ghar aya mehman koi jaan na pehchan, Mera salam leja, Mohabbat ki rahon mein, and Saiyan ji utrenge paar from the film Uran Khatola still take the listeners to exuberant heights even after 70 years when the movie was released in 1953.
Naushad was at the pinnacle of popularity with his superb compositions in the Oscar-nominated film Mother India (1957). Nagari nagari dware dware, Duniya mein hum aaye hain, O gaadiwale, dukh bhare din beete re, Pi ke ghar aaj pyari dulhaniya chali, and another of my most relished holi songs Holi aayi re kanhai, are among the most popular numbers out of 12 in the movie.
The movie Mughal-e-azam (1960) was perhaps the climax of his success story. The raga-based compositions in this epic drama won instant popularity. I remember the song Pyar kiya to darna kya burst in the number one spot when it entered Binaca Geetmala’s 16-song grading list. Based on the story of love affairs between Mughal prince Salim and court dancer Anarkali, the music of Naushad in Mughal-e-Azam competed with that of the 1953 musical hit Anarkali.
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