STOMP, created by Luke Cresswell and Steve Mc Nicholas In Brighton, England, the duo initially worked together in the street band Pookiesnackenburger and later formed the Urban Warriors, a junk percussion duo. Their experiences in street performances laid the groundwork for STOMP which debuted in 1991.
The dance and musical production has been thrilling audiences across the globe for over three decades. There’s no spoken word, no elaborate sets—just raw energy, perfectly choreographed chaos, and a cast of magnetic performers who find music in the most unlikely of places. Garbage cans, brooms, matchboxes, shopping carts—even the occasional kitchen sink—become instruments in this kinetic celebration of sound and movement.
This tour’s cast is as dynamic as the show itself, featuring Jude Caminos, Dilian Cantrell, Micah Cowher, John Gavin, Danielle Imani, Ben Johnson, Zahna Johnson, Michael Mendoza, Jayme Overton, Andrew Patrick, Isaiah Robinson, and Cade Slattery. Each performer brings a unique style and rhythm to the ensemble, seamlessly blending personality with precision.
The 2025 tour introduces fresh material, including two new full-scale routines involving paint cans and massive tractor tire inner tubes. These additions build on the show’s legacy while keeping it fresh and surprising, even for returning fans.
There’s something universally appealing about STOMP. It doesn’t rely on language or storyline to connect with its audience. Instead, it taps into something primal—the rhythm of life itself. It’s funny, inventive, and endlessly entertaining.
What makes STOMP such a visceral experience is its blend of music, dance, and physical comedy. It’s part concert, part theatrical spectacle, part street performance. Moments of silence are just as powerful as the loudest crescendos, and the cast’s unspoken communication—through glances, gestures, and perfectly timed movements—keeps the audience riveted.
The diversity of the cast really shows the authenticity of the experience of street dance with unspoken racial tensions experienced by people working in city streets who have to deal with white and gender privilege on a regular basis. The show is gritty and realistic transforming the experience of people working city streets dealing with class, race and gender.